Teaching History with Message Movies by Frost Jennifer;Carr Steven Alan;

Author:Frost, Jennifer;Carr, Steven Alan;
Language: eng
Format: epub
Tags: undefined
Publisher: Rowman & Littlefield Publishers
Published: 2012-08-15T00:00:00+00:00

Notes

Works Cited

Anderson, Terry H. The Movement and the Sixties. New York: Oxford University Press, 1995.

Bonavoglia, Angela. Review of Silkwood, directed by Mike Nichols. Cinéaste 13, no. 3 (1984): 38–40.

Enstad, Nan. “Dressed for Adventure: Working Women and Silent Movie Serials in the 1910s.” Feminist Studies 21, no. 1 (1995): 67–90.

Faludi, Susan. Backlash: The Undeclared War against American Women. New York: Anchor Books, 1991.

Gray, Jonathan. Show Sold Separately: Promos, Spoilers, and Other Media Paratexts. New York: New York University Press, 2010.

Grieveson, Lee. “Policing the Cinema: Traffic in Souls at Ellis Island, 1913.” Screen 38 (Summer 1997): 149–71.

Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928–1942. Madison: University of Wisconsin Press, 1991.

Kamir, Orit. “North Country’s Hero and Her Cinematic Lawyer: Can ‘Lawyer Films’ and ‘Women’s Films’ Merge to Launch a New Feminist Sub-genre?” Canadian Journal of Women and the Law 21, no. 1 (2009): 119–42.

Karlyn, Kathleen Rowe. “‘Too Close for Comfort’: American Beauty and the Incest Motif.” Cinema Journal 44 (Fall 2004): 69–93.

Kernan, Lisa. Coming Attractions: Reading American Movie Trailers. Austin: University of Texas Press, 2004.

Neale, Steve. Genre and Hollywood. London and New York: Routledge, 2000.

Pally, Marcia. “Fool’s Gold.” Film Comment 20 (May–June 1984): 28–32.

Roffman, Peter, and Jim Purdy. The Hollywood Social Problem Film: Madness, Despair and Politics from the Depression to the Fifties. Bloomington: Indiana University Press, 1981.

Rosen, Ruth. The Lost Sisterhood: Prostitution in America, 1900–1918. Baltimore: Johns Hopkins University Press, 1982.

Rosenstone, Robert A. Visions of the Past: The Challenge of Film to Our Idea of History. Cambridge, MA: Harvard University Press, 1995.

Sloan, Kay. The Loud Silents: Origins of the Social Problem Film. Urbana: University of Illinois Press, 1998.

Stamp, Shelley. Movie Struck Girls: Women and Motion Picture Culture after the Nickelodeon. Princeton, NJ: Princeton University Press, 2000.

1. Kay Sloan, The Loud Silents: Origins of the Social Problem Film (Urbana: University of Illinois Press, 1998), 82.

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